These poems are part of TN2’s ongoing poetry series, “Line Break”. Line Break aims to give a platform to exciting new poets from Trinity. If you would like your poetry to be considered for publication, simply submit it to literature@tn2magazine.ie, along with your name and a one-sentence bio.
Say Nuttin’ (Pears) by Rebecca Gutteridge
Pears.
Not what you’d expect from Tinder.
You piggybacked me to them,
so that my feet wouldn’t get wet,
(I’d abandoned my shoes at the door)
only to shower my hair with drops
when my head hit foliage.
“Say nuttin’”, you said: entreating
to impress,
as you, with the weight of two
crunched, squashed, squelched
pears underfoot;
I played my part, gave
girly squeals of delight.
“Pear jam,
pear tart,
poached pear;
there’s so many things you can do with pears…”
Who taught you to flirt like a 70’s cookbook?
All the while, flesh
decayed around us.
I wasn’t listening–
It felt good to be enmeshed
in your masculinity,
after all–
you didn’t notice.
“…Nature’s bounty; my Nana used to make a great pear tart.”
‘Say nuttin’’ had very clearly been lost on you.
“…Do you know how to tell if a pear is perfectly ripe?”
Who knew you could mansplain fucking pears.
“…You remind me of her a bit, my Nana. She’d have loved all this.”
Bingo.
The pears watched on,
impervious to me
willing the impossible
survival
of something digitally sourced
in their organic world.
But, not to worry;
you gave me a tour
of how your Nana changed
the hierarchy of photo frames,
based on who was this month’s
favourite.
(I felt compelled to iconoclasm
as you prepared to slot me in
amongst them).
On an unchanging threshold
of lace net curtains
and a familiar, familial odour,
we forged an unspoken understanding;
trauma starts at home,
when matriarchs play chess
with a two-dimensional collective
of smiles.
And by the fireplace,
freckled hands found their prize;
you, not fully formed–
Hurler of the Year 2006–
enshrined with gappy teeth, tie and stick.
It struck me that you were still not fully-formed.
Are men ever fully-formed?
Orange Light by Gale Aitken
And it’s fading crawling clawing
at the shaded line morphing all into sock puppet
semblances of their former selves
flickering dancing on the wall of a cave back
lit by fire, pyre of the dying day.
And it always seems to be
here diurnal, hesternal, nocturnal, no matter in the
air a smoke haze of the sodium lamp glazed
light polluting obscuring taking the auspices from view
cloud sobs orange on pavement grey.
And in the morning it drips
in through the slit of the unbolted window
tainting carpet with its liquid bright
ferity molten creature drops a match onto
my eyes hair skin set ablaze.