Not unlike many students, the sculpture Countermovement by Michael Warren cuts a lonely figure reclining on the grass by the rugby pitch. Donated to Trinity in 1985 by the American Irish Foundation, it appears to have been lost over the … Continue reading Art on Campus: Countermovement by Michael Warren
It is the sound designer’s job to help create the atmosphere of a play – to add to the intrigue and conjuration of ideas in the audience’s head about what is happening on stage. It is integral to how we … Continue reading Graduate Spotlight: Alma Kelliher
It can sometimes be easy to mistake the Reclining Connected Forms sculpture by Henry Moore for a very well-shaped shrub. However this bronze figure has stood firmly in the Library Square behind the Campanile since 1971, it’s smooth … Continue reading Jumble: Art on Campus – Henry Moore’s ‘Reclining Connected Forms’
Amelia McConville speaks with director Mollie Molumby, ahead of Half Light’s run at the New Theatre as part of the Tiger Dublin Fringe Theatre Festival. Can you give us a short and enticing overview of what Half Light is about? … Continue reading Interview with Mollie Molumby, director of Half Light
The extension to the Department of Mechanical & Manufacturing Engineering, completed in 2002 by Grafton Architects, is an often overlooked and underrated thread within the fabric of Trinity’s architecture. Continue reading Public Space: Department of Mechanical & Manufacturing Engineering
Blood has always occupied a space between fascination and repulsion in the human psyche. It transcends the binary of the worldly and sacred given its centrality in both science and spirituality. It is at once bound to both life and death. As such, blood, in all its forms and with all its literal, symbolic and mythical meanings, is the point of focus for the Science Gallery’s latest exhibition, BLOOD. Continue reading BLOOD at the Science Gallery – review