Armand Hammer: We Buy Diabetic Test Strips Thank God it’s only an album.

Stickers proclaiming ‘We Buy Test Strips’, accompanied by a phone number, are emblazoned across the lampposts, shop fronts and electrical boxes of the streets of New York – the home of rappers billy woods and Elucid. They advertise the practice … Continue reading Armand Hammer: We Buy Diabetic Test Strips Thank God it’s only an album.

Roald Dahl, through Wes Anderson’s Eyes A short review of Wes Anderson's new Netflix shorts.

From the twenty-eighth through to the thirtieth of September, Netflix released four shorts by Wes Anderson, adapting writer Roald Dahl’s short stories for the screen. This event was highly unusual, as Anderson is mostly known for his feature films. I, … Continue reading Roald Dahl, through Wes Anderson’s Eyes A short review of Wes Anderson’s new Netflix shorts.

Somewhere Out There You Review A Couple Argues About What the Play is Really About

I remember Friday evenings more than anything from when I was a teenager. Not because I was going to party’s or sneaking out my bedroom window to hang out with my friends but because every Friday night I used to … Continue reading Somewhere Out There You Review A Couple Argues About What the Play is Really About

Book Recommendations Containing the Remnants of Despondent Girlhood

            Taylor Swift’s The Eras Tour, the global success of the billion-dollar blockbuster Barbie and Olivia Rodrigo’s sophomore album GUTS – it certainly has been a year for the girls. A year of attentive reflection and the eager celebration of girlhood.  … Continue reading Book Recommendations Containing the Remnants of Despondent Girlhood

The New Electric Ballroom A review of Enda Walsh’s play at the Gate Theatre, directed by Emma Jordan.

Having read this play a few times before seeing it performed live, I was in the odd position of knowing the list of ingredients and steps to the recipe without ever having made or eaten the dish itself. It’s never … Continue reading The New Electric Ballroom A review of Enda Walsh’s play at the Gate Theatre, directed by Emma Jordan.

All’s fair in sex and violence? Diving Head First into the Complex Morality of Gasper Noé’s Enter the Void (2009).

It’s a Sunday evening, your phone has six unanswered text messages lighting up the screen and the tail end of your hangover has mostly left the building. What lingers on into the bittersweet Sabbath sundown is a faint strain of … Continue reading All’s fair in sex and violence? Diving Head First into the Complex Morality of Gasper Noé’s Enter the Void (2009).