The DUFF – review
The DUFF tries to take on cyberbullying, but the message is unfortunately overwhelmed by the film’s ceaseless attempts to satirise social media. (●●●○○) Continue reading The DUFF – review
The DUFF tries to take on cyberbullying, but the message is unfortunately overwhelmed by the film’s ceaseless attempts to satirise social media. (●●●○○) Continue reading The DUFF – review
tn2 Editor Meadhbh McGrath styles Trinity Ball-ready looks from COS, Nowhere and Topshop that play with shape, volume and texture. Continue reading The Shape of Things: Trinity Ball Fashion 2015
Meadhbh McGrath speaks to Mad Men’s resident scoundrel, John Slattery as he bids goodbye to his 1960s counterpart, Roger Sterling.
Continue reading Smoke Gets In Your Eyes: Interview with John Slattery
Readers will be pleased to find such an original voice in Bussi’s novel, as he borrows elements from old-fashioned clue-puzzle mysteries to provide a breathtakingly suspenseful thriller. (●●●●○) Continue reading After the Crash by Michel Bussi – review
Join Meadhbh McGrath, Matthew Mulligan and Rebecca Alter for a conversation about what deserves to win at this years Oscars, what shouldn’t win, goodie bag vibrators and the Fake Baby from American Sniper. Continue reading 2015 Oscars – podcast discussion
Viewers might be initially skeptical about an S&M love story between two women directed by a man, but writer-director Peter Strickland refuses to allow the Duke of Burgundy to become the exploitative film it threatens to be. (●●●●●) Continue reading The Duke of Burgundy – review
Meadhbh McGrath chews the fat with Janice Poon, food stylist on NBC’s Hannibal. Continue reading An Acquired Taste: Interview with Janice Poon
tn2 Editor Meadhbh McGrath speaks to Rory Parnell-Mooney about pockets, exile and going out on his own following his precocious debut at London Collections: Men. Continue reading First Communion: Interview with Rory Parnell-Mooney
From Lee Daniels’ Empire to Gwyneth Paltrow’s V-Steam, here’s what we’re loving and hating this month. Continue reading Uppers & Downers: February 2015
For an audience that has grown up watching these films and is fully versed in their tropes, Lyne’s visual essay is ultimately unilluminating and offers nothing new. (●○○○○) Continue reading Beyond Clueless – review
“That’s just where I instinctively go during sex, so to see rimming having a moment right now and being discovered by straight people is kind of funny.” Continue reading Tongue in Cheek
The Walworth Farce, like all postmodern art, runs the risk of seeming distant or detached from humanity, but the actors turn in such human and engaging performances that it avoids falling into this trap. (●●●●●) Continue reading The Walworth Farce – review